Born in 1951 in Corsica, Jean Paul Marcheschi lives and works in Paris.
|
|
1983
|
Paris, Espace Avant-Première. |
|
1986
|
Paris, Galerie Antoine Candau. |
|
1988
|
Illustrations for Moments by Jacqueline Didier, éditions
Sables. |
|
1989
|
Paris, Galerie Bernard Jordan. |
|
1990
|
Paris, Galerie la Défense Art 4. |
|
Galerie La Cour 21, Nantes. |
|
Paris, Carré des Arts du Parc Floral, Red sources. |
|
FIAC, Paris, Grand Palais, galerie |
|
Bernard Jordan. |
|
1992
|
Baillargues, Espace Aldebaran, La Sarabande. |
|
Montpellier, Carré Sainte-Anne,
The 11 000 Nights. |
|
La Cave, Souillac, château de la Treyne, The black lake. |
|
Genève, Galerie Faust - Rosa Turetsky, Jean Paul Marcheschi,
installations and drawings. |
|
Martigues, musée Ziem, Jean Paul Marcheschi : States of fire. |
|
1993
|
Corté, FRAC Corse, Jean Paul Marcheschi : " Insula ". |
|
Villeurbanne, Artothèque, Maison du Livre, de l'Image et du Son, Jean
Paul Marcheschi : Ouranos. |
|
Paris, Galerie Bernard Jordan :Jean Paul Marcheschi : Lear. |
|
Plieux, château de Plieux, Graal/Plieux : Jean Paul Marcheschi works. |
| |
FIAC, Paris, Grand Palais, Galerie Plessis. |
|
1994
|
Patrimonio, Corse, Domaine Orenga de Gaffory J. P. Marcheschi. |
|
Paris, Galerie Attali, illustrations for " Instans " d'Antoine
Graziani. Nantes, Galerie Plessis, Dawn's bite. |
|
Plieux, château, Map of the winds. |
|
1995
|
Saint Herblain, espace Coupechoux, Ouranos. |
|
Francfort, International fair, |
|
Galerie Plessis. |
|
Genève, Galerie Rosa Turetsky, Oracles, Drawings and paintings. |
|
Paris, FIAC, Galerie Plessis. |
|
L’Isle-sur-la-Sorgue, Galerie Annie Lagier. |
|
1996
|
Nantes, Galerie Plessis, Jean Paul Marcheschi : Continuations and variations of the Firebird. |
|
Toulouse, Capitole, Cour Henri IV, Ouranos. |
|
Caen, Jean Paul Marcheschi, Fragments from sleep. |
|
Musée des Beaux-Arts, Ouranos. |
|
FRAC de Basse-Normandie, 11 000 Nights. |
|
Université de Caen,
Maison de la Recherche en Sciences humaines, Sleeping room. |
|
1997
|
Villeneuve d'Ascq, Atelier 2, Dawn's bite. |
|
Martigues, musée Ziem, Jean Paul Marcheschi, States of fire, continued. |
|
1999
|
Nice, Galerie des Ponchettes, Jean Paul Marcheschi : "
Phâo ". |
|
1999 - 2000
|
Ajaccio, Musée Fesch, Jean Paul Marcheschi : " Riveder
le stelle ". |
|
2001
|
Royan, Centre d’Arts Plastiques, Jean Paul Marcheschi : Luc XXIII,
44. |
|
Monte Carlo, Grimaldi Forum Monaco, " Tenebroso lago ". |
|
Toulon, Hôtel des Arts, Black Pharaoh. |
|
2003
|
Riom's chapel. |
|
Installation of a piece in-situ for the infant school in rue des tourelles in Paris XXth. |
|
2004
|
Dawns bite, VII, VIII, IX. |
|
Convicts (in memoriam : Saint Laurent of Maroni, transportation quarter), 90
paintings 63x210. |
|
13 Oracles, 120x200. |
|
The tribute to Cézanne (in the clear and crossed manner of Oracles and Bites.), 500 x 330. |
|
13 sculptures of wax and bronze. |
|
The Milky-way (first part) 'Carmes' station, on the line B of the Toulouse Metro, 1200 x 2500. |
|
2005
|
Resurrection (Lake III), 1200 x 1200 x 430. |
|
Lake of storms (Lake IV), 1200 x 1200 x 430. |
|
The loves of the Queen (and of Prince Raülh, her son, the young wild boar),
13 paintings 180 x 240. |
|
The Milky-way (second part), 'Carmes' station, on the line B of the Toulouse Metro, 1200 x 2500. |
|
2006
|
Red books, 40 volumes. |
|
Room for clear days, (cord of soot method) 1000 x 800 x 450. |
|
Laocoon (Lake V), 1200 x 1200 x 430. |
|
The room of memory, (cord of soot method) 100 x 1200 x 430. |
|
2007
|
The war room, black method with retro projection, 1200 x 800 x400. |
|
Ordeals, 3 rooms, 700 x 700 x400. |
|
Dazzlings (Paradise III), (Clear method with the cord of soot) 1300 x 430. |
|
Red books, 15 volumes. |
|
2008
|
The pleasure room (the Black Pharaohs loves and those of
his son Raülh as a young wild boar),
13 paintings, 240 x 180. |
|
The rip (Lake VI), Tribute to Turell, 1200 x 1200 x 430. |
|
90 autoportraits (1981 - 2008), Red books with stiffened bodies. |
|
Cliffs of sleep, (clear method with cord of soot) 900 x 900 x 420. |
|
17 faces, Sculptures, wax and bronze. |
|
2009
|
Lake of the three brothers (Lake VII), installation with swimming pool,
immerged bodies, retro projection, 1700 x 900 x 420. |
|
The fire room (Lake VIII), 1700 x 900 x 420. |
|
Oceans, (total environment) 4 paintings of 900 x 420. |
|
The condemned, Gallery of 13 portraits, 240 x 180. |
|
2010
|
The animals room, 7 paintings using the black method, 500 x 420. |
|
Agon (Phao II), black method, cycle of 11 paintings, 330 x 240. |
|
Glory (Lake IX), with immerged sculpture, 900 x 500 x 390. |
|
2011
|
That which returns, 13 clear paintings,240 x 180. |
|
The room of the Alabasters, light environment without figure, unlimited format. |
|
Poems and sonnets, 12 collections, 80 x 50. |
|
Red books, 15 volumes. |
|
Waterfalls II, 1700 x 900 x 450. |
|
Mixture and tribute, 13 paintings of various formats according to the ancient masters. |
|
The water room (Lake X), without figure, with swimming pool and retro projection,
1200 x 1200 x 430. |
|
2012
|
The death of prince Raülh, cycle of 11 paintings, format of Phao. |
|
Lord Chandos or the yellow eye of the murènes, cycle of 9 paintings, 300 x 240. |
|
The warehouse (the night of the centaurs), Labyrinth with lake. |
|
Return to Stromboli. |
|
Probatic swimming pools, installation of 3 swimming pools. |
|
Contemporains (the la férocia, comedy), 11 paintings de 240 x 300. |
|
Red books, 15 volumes. |
|
Patmos (clear apocalypse), painting in amphitheatre, 2600 x 420. |
|
2013
|
Brief pieces (Dazzling II), 17 drawing and paintings, 120 x 100. |
|
Withdrawal, 13 monochrome paintings using the clear and mixed black method, 180 x 240. |
|
Intrigues and strategies of time, 11 000 sheets format 21 x 29,7. |
|
The disasters ( parricides, matricides, infanticides and massacres),
11 paintings half immerged around red sources, format of Phâo. |
|
Priapé, 11 black and red paintings, format of Phâo. |
|
Mixtures and tributes II, 11 copies of my favourite paintings. |
|
Death, 13 paintings using the black method, 240 x 180. |
|
Cloaca, cycle of 17 paintings, 240 x 300. |
|
Snatchings, sculptures and paintings without figures, 240 x 180. |
|
Dialogs between vermin and the air, black wax highlights and paintings. |
|
Westerbork (to Etty Hillesum), 1700 x 450. |
|
Dawns bite X, XI ,XII, XIII. |
|
The room of the stiffened, 90 paintings, 63 x 210 and 240 x 180. |
|
Ulysse in Ceuta (chant XXIV). |
|
Mediterranean, clear environment, 13 paintings, 450 x 450. |